If you’re like I am, you enjoy a literary talent plumbing the depths of the psychological terrain. Elizabeth Strout has entered that pantheon and been a commercial success. Her novel Olive Kitteridge, which won the Pulitzer and was turned into a four-part series on HBO starring Frances McDormand, grossed nearly $25 million with over one million copies sold.
Her book sales are testament to a public clamoring for real stories of the ordinary life. Which is all good, at least to this reader, in an age of pulp fiction, vampires and romance novels.
Literary fiction is a term that applies to a story where the inner lives of the characters are explored ... literary fiction has commonalities with memoir in that the psychological aspects of the characters are examined and the story is not so much plot driven as character driven ....
Richly textured stories abound in Strout's newest novel, Anything Is Possible. The jaded wife married to an unfeeling doctor; the successful businessman who never forgets his poverty and eating out of dumpsters; the Vietnam vet suffering from PTSD, married to a woman he doesn’t love; the dying man who suddenly realizes his daughter is unhappy in her marriage.
Anything Is Possible is hard; an often cynical look at people. The reader at times thinks, good God what would Strout make of me? That's the power of the novelist ... to stand back, observe, direct her characters, turn their petty but all-too-human dramas into the sadly comical ... and the deeply personal.
Anything Is Possible is composed of vignettes, shifting points of view and interwoven relationships in a small Illinois town. Dottie is a divorcee whose ex-husband cheated on her. She runs a bed and breakfast and is kind enough to listen for hours to a woman staying there, Shelley, who angrily drones on about her marriage to a man who ignores her. (Self-absorption is a theme in Strout's stories.)
“To listen to a person is not passive,” Strout writes. “To really listen is active, and Dottie had really listened.”
Later, Dottie hears Shelley mocking her to her husband. “Shelley Small was making fun of Dottie in terms Dottie found outrageous. Dottie’s body parts ostensibly not having been made use of in quite some time … as though Dottie was a clown on stage tripping over shoes too large.”
Dottie hears the couple making love. She realizes Shelley’s unhappiness was “something she could ease by being a sexual woman, unlike Dottie. But she was not a sexual woman, Dottie could tell. Shelley got into the shower promptly after, and to Dottie this was always the sign of a woman who had not enjoyed her man.”
Strout builds on her earlier work with this novel which explores the back stories of characters in her bestselling My Name is Lucy Barton, which I am now reading. Lucy, a memoir writer, makes a cameo appearance in Anything Is Possible. (Is she Strout’s alter ego?)
Strout attended Bates College, did a stint as a cocktail waitress. She grew up in a Protestant household, her parents teachers. One summer I worked a waitressing job at the New Jersey Shore; my father taught English and languages, including Latin and German. We were good Episcopalians.
I identify with the writer who takes a good hard look, not just at others and (even) herself, but the strange journey where “anything is possible.” It’s through the writer’s lens, the unique perspectives offered for consideration that make a story memorable.
As a writer you keep reading, not only to perfect your craft but stay tuned to why you write. Like any passion―dare I say, spiritual pursuit―you empathize and respond to the human condition, record it and share it. Although Lucy Barton moans just how hard writing is Strout almost makes it look effortless.
How about you? Do you have a novel or nonfiction book you can recommend that transported and inspired you to write?